A one-of-a-kind resource, developed by researchers at Michigan State University and The Ohio State University, is breaking new ground in the area of religious studies by offering scholars and the public alike a new way to think about and explore the diversity of American religious life.

The American Religious Sounds Project (ARSP) website, which launched last month, challenges scholars, educators, students, and others to examine American religious diversity in new and complex ways by listening to its sounds.

The website contains an extensive (and growing) audio archive that documents everyday religious life and practice in the United States. This unique audio archive features newly produced field recordings, interviews, oral histories, and other related materials.

The website stems from a collaborative research initiative co-directed by Amy DeRogatis, Professor in the Department of Religious Studies at Michigan State University, and Isaac Weiner, a scholar of American Religious Studies and Associate Professor in the Department of Comparative Studies at The Ohio State University.

“Sound broadens and complicates the ways that we conceptualize and categorize religious places and practice. It invites us to imagine religion as something that people do, in particular times and spaces, rather than something people ‘are’ or ‘have,’” DeRogatis said. “Sound directs our attention to collective performances and embodied rituals, rather than approaching religion as solely a matter of interior conviction or private belief. As sound travels, it also crosses physical and social boundaries, allowing for contact in unexpected or new ways.”

The ARSP audio archive includes hundreds of short audio clips, excerpted from longer audio field recordings, providing an intimate look into the vast sonic landscape of religion in the United States, including how secular and religious sounds intersect.  

“Using this audio as a source of knowledge and understanding, we can go deeper into understanding religion and religious practice in America,” Weiner said. “It is an invaluable tool for seeing and hearing religious practice in a new way.”

The audio files were produced at a wide variety of religious communities, spaces, and practices, from formal sounds of religious institutions, such as prayer, chanting, and hymns, to public conflicts over religious monuments in civic spaces and ecstatic exclamations at a rodeo or racetrack.

“Using this audio as a source of knowledge and understanding, we can go deeper into understanding religion and religious practice in America. It is an invaluable tool for seeing and hearing religious practice in a new way.”

Dr. Isaac Weiner

“It represents religion capaciously, tuning into practices that occur within ‘traditional’ religious spaces like churches, synagogues, and mosques, but also listening for sounds of religion that cross boundaries between religious and secular, public and private,” DeRogatis said. “It represents religion both as extraordinary and transcendent and as a mundane feature of everyday life, and it challenges us to reconceive what counts as religion and where we are likely to encounter it.”

The audio archive allows users to discover connections among recordings, to plot them on a map according to the geographical location where they were produced, and to listen to the short, edited clips. The audio clips can be filtered using a range of criteria, such as religious tradition, language, type of sound, type of space, season, day of week, time of day, and geographical location. Accompanying each short clip is a brief description of the recording, when and where the recording took place, and even who did the recording.

The ARSP website also includes a digital gallery featuring multimedia exhibits on selected themes that emerged from the project. These multimedia exhibits integrate audio clips, interpretive audio collages, images, explanatory texts, and essays to offer a more in-depth analysis of particular sounds, practices, and communities.

The ARSP website is designed to be used by multiple audiences, including:

• scholars, who may use it to spark imagination and creativity for new projects and as a platform for engaging broader publics and presenting their own interpretive work;
• educators, who can use it as a resource for engaged classroom experiences that move beyond textual forms and analysis and as a template for community-engaged learning;
• the media, who can use it as a way to inform the stories they tell about religion in the United States; 
• anyone visiting the site may be educated, engaged, and inspired to think in new ways about religion and its place in American life.

“The website and archive will serve as an invaluable part of research and innovative scholarship, giving educators and the public an in-depth, experiential learning experience that will open up new avenues of understanding religion’s place in American life, an essential pathway to understanding and empathy as the country grows more diverse,” DeRogatis said.

Currently, about 100 audio clips are available on the website. The research team is continuing to add new recordings to the audio archive, with a goal of eventually having between 300 and 400 recordings uploaded to the site.

Plans also are being made for a traveling exhibit on religion and sound in the United States and to eventually award grants to support the research of other scholars working in these areas whose projects would be featured on the website.

“The website and archive will serve as an invaluable part of research and innovative scholarship, giving educators and the public an in-depth, experiential learning experience that will open up new avenues of understanding religion’s place in American life.”

Dr. Amy Derogatis

“The need for understanding religious pluralism has arguably never been greater,” Weiner said. “Given the remarkable diversity of American religious life and the increasing polarization of our politics, building a civic culture that is inclusive and valuing of all people constitutes one of the most pressing challenges we face today. The ARSP’s resources are intended to educate and engage multiple audiences around issues of religious diversity in ways that are accessible, compelling, and theoretically informed. Our intention is not to advocate for or against any particular religion, or for the value of religion in general, but to invite critical reflection on how and why we come to conceptualize religion in the ways that we do and the implications of this for American civic life.”

In addition to DeRogatis and Weiner, the current ARSP leadership team includes: Lauren Pond, Multimedia Producer; Caroline Toy, OSU Project Manager; and Alison Furlong, Project Coordinator. The website was designed and built by an application development team at OSU.

The American Religious Sounds Project is supported by a generous grant to Ohio State University’s Center for the Study of Religion from the Henry Luce Foundation. Other support has been provided by the Humanities Without Walls Consortium, based at the Illinois Program for Research in the Humanities at the University of Illinois at Urbana-Champaign and funded by the Andrew W. Mellon Foundation. Material support also is provided by Michigan State University and The Ohio State University.